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    <title><![CDATA[Ara Balears in English - Cloister of San Domingo]]></title>
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    <description><![CDATA[Ara Balears in English - Cloister of San Domingo]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[In Search of Ravel]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/in-search-of-ravel_1_5491668.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/83e9c5aa-13cb-4505-817c-bd52acbc3835_16-9-aspect-ratio_default_0.jpg" /></p><p>Once again, just after the Pollensa Festival, Bernat Quetglas and the Mallorca Chamber Orchestra, converted into a symphonic orchestra for the occasion, with more than fifty musicians on the stage of the Cloister of Sant Domingo, take the musical witness to delve into the personality of more musicians than with the originality. Maurice Ravel needs no introduction, but revisiting him is always a joy and, in a way, a rediscovery where we can glimpse new details and nuances that only serve to further enhance his indisputable talent. If the program is as succulent as it is substantial, so much the better, given that it increases the possibilities of discoveries, as is the case.</p>]]></description>
      <dc:creator><![CDATA[J.A. Mendiola]]></dc:creator>
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      <pubDate><![CDATA[Tue, 09 Sep 2025 15:40:44 +0000]]></pubDate>
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      <media:title><![CDATA[Bernat Quetglas directing the OCM in Pollença.]]></media:title>
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      <subtitle><![CDATA[If the program is as succulent as it is substantial, even better, since it increases the chances of discoveries, as is the case]]></subtitle>
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      <title><![CDATA['O fado', so there is no doubt]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/fado-there-is-no-doubt_1_5450430.html]]></link>
      <description><![CDATA[<p>Seeing and listening to Marco Mezquida is always a new experience. From any branch of music that passes through his eclectic style, a cutting always emerges, as delightful as it is implausible. Therefore, seeing him perform fados is like gathering the delicious fruits of a previously unknown tree. He arrives accompanied by Lisbon singer Lina Rodrigues, with whom they have given a small twist to the sad genre par excellence, starting with the piano, the instrument over which the songs are veiled. This circumstance alone is quite significant, and I'd like to think that, in some way, it also requires small changes in the way they sing. In any case, the concert they gave in Pollença, within the framework of <em>Sondenitide 25, </em>in the legendary Claustro de Sant Domingo, and with which they began the tour to present the album they have recorded and which will be released in September, was completely encouraging, and with the public, which almost filled the venue, right to say goodbye to the couple. </p>]]></description>
      <dc:creator><![CDATA[J.A. Mendiola]]></dc:creator>
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      <pubDate><![CDATA[Mon, 21 Jul 2025 10:26:38 +0000]]></pubDate>
      <subtitle><![CDATA[From any branch of music that goes through his eclectic style, a cutting always emerges that is as delicious as it is implausible.]]></subtitle>
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