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    <title><![CDATA[Ara Balears in English - translation]]></title>
    <link><![CDATA[https://en.arabalears.cat/etiquetes/translation/]]></link>
    <description><![CDATA[Ara Balears in English - translation]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[One contract, 4,000 authors]]></title>
      <link><![CDATA[https://en.arabalears.cat/opinion/one-contract-4-000-authors_129_5812568.html]]></link>
      <description><![CDATA[<p>Not in hospitality, nor in education, nor in administration: I don't know if there are many professional fields in which people dedicated to a trade have such limited negotiation possibilities as our writers and translators. Directive (EU) 2019/790, on copyright in the digital single market, already recognizes in its preamble the vulnerable situation in which we find ourselves when improving our conditions, an aspect that the European Commission invites each country to resolve and which, in Spain, for now, barely seems a utopia.Certainly, it could be much simpler: most professionals in other trades have clear regulations and are legitimate in unionizing and negotiating specific conditions, which end up translating into what we know as collective agreements. However, current state legislation does not recognize literary authors as workers, but as mere holders (and hey, that's no small thing!) of their intellectual property. That is, as authors of works that generate rights, the exploitation of which brings economic benefits to these authors. But not through an employment contract, like other professionals, but through an author's rights assignment contract, which recognizes us with various rights, but not our evident status as workers. Within this framework, authors can associate and fight together for our conditions, as long as we do not exceed the limits set by the Competition and Free Market Law: that is, recommending or suggesting percentages of royalties and translation fees. Therefore, we can negotiate everything... Except for the most essential aspect of our work, which is remuneration!This is why I consider it so important that the representative entities of more than 4,000 authors from all over the Catalan Countries have united to defend the same contract model, drawn up by the Association of Writers in the Catalan Language (AELC) and presented last December. From now on, the writers, translators, and playwrights represented by the Col·legial Association of Writers of Catalonia (ACEC), PEN Català, the Professional Association of Translators and Interpreters of Catalonia (APTIC), the three playwriting entities of the Principality, the Valencian Country, and the Islands, and the AELC will have the same frame of reference, with the same starting point when defending our rights. It is, of course, a blind contract, without proposals or suggestions on the points where percentages and fees should be discussed, but I am convinced that the framework of this contract will represent an advance in aspects such as transparency, clarity, and balance between the two parties.No consensus among authors had ever been so great, neither at home nor in the State. Now all that remains is for the publishers to take joint responsibility, and for them to be encouraged, at the very least, to talk about it, something that the Publishers' Guild of Catalonia has so far flatly refused to do. We would all benefit.</p>]]></description>
      <dc:creator><![CDATA[Sebastià Portell]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/opinion/one-contract-4-000-authors_129_5812568.html]]></guid>
      <pubDate><![CDATA[Thu, 30 Jul 2026 05:37:45 +0000]]></pubDate>
      <subtitle><![CDATA[]]></subtitle>
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    <item>
      <title><![CDATA["Now I do believe that machines can affect my profession."]]></title>
      <link><![CDATA[https://en.arabalears.cat/society/now-do-believe-that-machines-can-affect-my-profession_1_5657489.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/301f0b04-8e92-4bc1-b468-33c0236aba17_16-9-aspect-ratio_default_0.jpg" /></p><p>Just fifteen years ago, translators weren't worried that tools like Google Translate could replace them. "It was so bad there was nothing to fear," recalls Jean-François Cuennet, a professional with over three decades of experience. "Now I do believe that machines can affect my profession," he confesses. The novelty isn't so much the technology itself as the quality of the translations: less visible errors, more fluid texts, and a level of professional rigor that is now essential. As Antoni Oliver, an expert in machine and computer-assisted translation and a professor at the UOC (Open University of Catalonia), points out, "since the 1950s, the idea that machine translation will eventually replace translators has been repeated." Every major technological advance has been accompanied by the same prediction, but now, Oliver warns, there's a difference: "The improvement is such that the error is less perceptible." This makes the expert's human experience indispensable, searching for nuances in a law, in medical research, and, of course, in literary translation.</p>]]></description>
      <dc:creator><![CDATA[Marcos Torío]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/society/now-do-believe-that-machines-can-affect-my-profession_1_5657489.html]]></guid>
      <pubDate><![CDATA[Mon, 23 Feb 2026 20:12:59 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/301f0b04-8e92-4bc1-b468-33c0236aba17_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[A woman works in front of a computer.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/301f0b04-8e92-4bc1-b468-33c0236aba17_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Artificial intelligence is transforming professional translation: simple texts are now done by machines, while experts review complex ones.]]></subtitle>
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    <item>
      <title><![CDATA["Copa vino la casa": The controversial literal translation from Spanish to Catalan of a bar in Mallorca]]></title>
      <link><![CDATA[https://en.arabalears.cat/society/copa-vino-casa-the-controversial-literal-translation-from-spanish-to-catalan-of-bar-in-mallorca_1_5581729.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/c5bfe062-ddb9-4417-b5a2-86ca919ed5ca_16-9-aspect-ratio_default_0.jpg" /></p><p>Catalan continues to lose ground in the Balearic Islands' restaurants, and more and more bars and restaurants either don't have menus in Catalan or have them riddled with spelling mistakes. A recent example is a bar in Mallorca where a literal translation was used for the menu, resulting in errors such as "Copa vino la casa" (house wine glass), a term commonly used to refer to the wine the establishment offers that isn't from major brands or well-known labels. This case was reported on social media by the Instagram profile [name of Instagram profile missing]. <a href="https://www.instagram.com/mallorcaviral/" target="_blank" rel="nofollow">@mallorcaviral</a>The comments on the post came pouring in. "We'll see things," one user remarked, referring to the large number of spelling mistakes and poor translations found on restaurant menus in the Balearic Islands.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/society/copa-vino-casa-the-controversial-literal-translation-from-spanish-to-catalan-of-bar-in-mallorca_1_5581729.html]]></guid>
      <pubDate><![CDATA[Wed, 03 Dec 2025 13:50:29 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/c5bfe062-ddb9-4417-b5a2-86ca919ed5ca_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The menu from the Mallorca restaurant with the incorrect translation]]></media:title>
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      <subtitle><![CDATA[Catalan continues to lose strength, and in some places it is easier to find menus in English or German.]]></subtitle>
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      <title><![CDATA[Galicia, Euskal Herria, Catalan Countries]]></title>
      <link><![CDATA[https://en.arabalears.cat/opinion/galicia-euskal-herria-catalan-countries_129_5520092.html]]></link>
      <description><![CDATA[<p>What was the last book you read originally written in Basque or Galician? How many authors would you name currently writing from Galicia or the Basque Country? And direct translators between these languages? If it's clear we have a few things in common, though not all of them good, why don't we have more spaces for exchange between the three cultural systems?</p>]]></description>
      <dc:creator><![CDATA[Sebastià Portell]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/opinion/galicia-euskal-herria-catalan-countries_129_5520092.html]]></guid>
      <pubDate><![CDATA[Mon, 06 Oct 2025 17:30:25 +0000]]></pubDate>
      <subtitle><![CDATA[]]></subtitle>
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      <title><![CDATA[In the great Mediterranean]]></title>
      <link><![CDATA[https://en.arabalears.cat/misc/in-the-great-mediterranean_129_5455273.html]]></link>
      <description><![CDATA[<p>There will be those who, with or without children, will take advantage of the opportunity to go to the movies these days, not only to cool off inside these true climate refuges, but above all to see films like the latest from a studio that has made us dream of many twists and turns. I'm talking about Pixar and its new adventure, entitled <em>Elio </em>and proposes a psycho-emotional defense of the beauty of otherness. It also conveys another equally important message: that, despite everything, we are not alone, and we always have the opportunity to be part of a larger community. In a time when the hate speech of the new, furious far right has returned, it is essential to rebuild bridges of belonging. With the happy publication of <em>Mediterranean Breviary </em>By Predrag Matvejević, in a masterful translation by Pau Sanchis Ferrer, LaBreu Edicions once again gives us a primordial work to understand the profound soul of this ancient and ever-living sea, although in recent years it has also reminded us that it is one of the greatest cemeteries on the planet. The book—with a moving prologue by the eternal Nobel laureate Claudio Magris and an epilogue by David Guzman, who has just been deservedly recognized with the Diffusion Prize—is much more than an essay: it is a lyrical, erudite, and sensorial ode to an aquatic symbolic, historical, and intimate space, a shared territory in which a single uniting substance reigns.</p>]]></description>
      <dc:creator><![CDATA[Jaume C. Pons Alorda]]></dc:creator>
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      <pubDate><![CDATA[Fri, 25 Jul 2025 17:55:25 +0000]]></pubDate>
      <subtitle><![CDATA[]]></subtitle>
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