A huge sculpture, both monumental and intended for children's play, with obvious references to the siurells, located in Central Park, in the epicenter of New York. This was the project that Joan Miró developed for three years and which, due to disagreements with the promoters, he finally abandoned. All the material generated—drawings, models, correspondence, and other working documents—is now on display for the first time in a single place: in the exhibition. A Miró in Central Park: The unrealized dream of a monumental sculpture in New York, curated by Patricia Juncosa, which can be seen from this Thursday until next February 22nd in the Pilar Juncosa Library of the Miró Mallorca Foundation.

With more than a hundred works, some of which have never been seen in Mallorca, spread across four venues, the ambitious exhibition project Miró Landscape It was presented this Wednesday in Palma, just before the official openings that will take place between Wednesday and Friday. Thus, starting this Thursday, July 31st, and for the next three months, for the first time, you can fully enjoy a proposal of this nature, which brings together four major exhibitions dedicated to reviewing Miró's career: Miró Mallorca, the exploration of color at the Solleric mansion, coexistence with shadows at the Lonja, and boundless rebellion at Es Baluard. The exhibition was in collaboration with the Reina Sofía Museum in Madrid, where almost half of the Miró works on display come from, and was curated by Antonia Maria Perelló, director of the Miró Mallorca Foundation; and director of sculpture at the Reina Sofía. All of them were present, along with the mayor of Palma, Jaime Martínez; and the artist, who lived on the island for more than three decades, and who was compensated with this exhibition project. "I don't want to belittle everything that has been done in the past, but I have to thank all the institutions for their efforts and work in bringing this exhibition to fruition. I can rest in peace now that the Mironi triangle is over."