The fact that many of Joan Miró's works are so easily identifiable to most people might lead one to think that there is little new, few facets of the artist that, today, more than 40 years after his death, can still be surprising. Starting this week, however, the ambitious exhibition Miró Landscape, with more than a hundred works distributed across four venues in Palma, demonstrates exactly the opposite: that it is possible to rediscover, time and again, the artistic – and human – career of one of the great artists of the 20th century from multiple perspectives.