She was more into Blur than the Spice Girls; more into Oasis than Britney Spears (although she did play the occasional song by both). The explanation is simple, and anyone familiar with the scene will understand: when she started going out on weekends, she frequented the Plaça de sa Pobla bar, a hangout for young people from Sa Pobla and other nearby towns. Within the walls of this bar, Magdalena Serra (Sa Pobla, 1983), a journalist and presenter of the program... Now we're going From IB3, she danced to the songs of Blur, Oasis and REM, and made the song her own. At dawn from The Rebel Strawberries. They sang it at the top of their lungs with their friend Maria Bel Cladera, who brings us closer to the journalist's childhood and adolescence.

He was a wonderful child, a perfect child: he never lied, he was calm and polite, everything went well for him, he was happy. When he was scolded, very occasionally, he would refer to himself in the third person, we are told. He was born when his mother was 20 and his father 23, and they say that they would take him to the disco and the baby would remain peacefully dozing in his stroller. He ate well, studied and got good grades, he was quite good at soccer (which has been his passion and obsession all his life) and he enjoys playing the piano. Being a journalist was one of his childhood dreams and, almost without realizing it, he must be celebrating twenty years in the profession. He is Pedro Sánchez (Palma, 1985) and his sister, Neus Sánchez, who is seven years younger than him, tells us about him.

This idea has been taking hold in my head for some time now: journalism has definitively mutated into activism. And if not, how can I explain why I should agree to do a double-page interview in exchange for 60 euros? That's what I asked myself a couple of months ago, when I received a proposal from a Catalan-language music magazine. "We know it's not much, but oh well..." they argued, as if offering condolences for a completely unavoidable loss, as if more could have been done, as if no further explanation were needed. I'm fine: it's not much, but so what? But can your medium only survive if you offer lower wages than the plumber's minimum travel charge? But should I practically have to pay you guys to be able to interview this gem of an artist? But I already know that, nevertheless, this won't feed me? While I would have loved to ask all these questions, one isn't that punkish, and I actually resolved it with a cowardly "Sorry, I'm really scatterbrained and won't have time to do the interview." I admit I'm good at playing dumb, but I didn't expect them to still outdo me by offering me the option of handing it in a few days later, as if that were the problem.

We know her without knowing her; we've spent more time with her than we think, and I'm sure more than one person has done a caption with her this summer. We can almost say we've seen her grow up, because we've been watching her—and she's been watching us—through the screen for years. She's presenter and journalist Antònia Ferrer, one of the program's most recognizable faces. Five Days from IB3 Television until September 2024, when she became the presenter of the contest Catch me if you can! Now, it's better to bear the heavy hot afternoons with CapficoAnd to be able to say we know her a little better, we asked her mother, Magdalena Ferrà, to tell us some secrets about the childhood and adolescence of the porrerenca, who turned 31 this summer and has an older sister, Agustina, who is 10 years her senior.