The cunning Guineueta, By Leoš Janáček, it might have seemed like a minor opera to open a season, that of the Gran Teatre del Liceu. In Czech, less than two hours long, and without the less-than-high-profile voices that, moreover, will line the majority of the titles in it. But whoever thought this way is seriously mistaken, and for quite a few reasons. To begin with, Leoš Janáček's music, a collage of delightful and highly varied factors and circumstances, which make each moment entirely appropriate to what is happening on stage. And again, although it's not news, from Josep Pons's baton emerged all the colors of a score filled with thousands of nuances and details of a complex yet exquisite simplicity. Only one small, however, at some point in the soliloquy of the gamekeeper, the male protagonist, the fragment that the composer chose to play on the day of his funeral, performed by baritone Peter Mattei, was overshadowed by the orchestra. However, the chromatic explosion was an unattainable musical kaleidoscope that placed this great little opera in its rightful place.