A conversation between Gabriel Alomar and Josep Ferragut, a tour of a city that has been left in the dark from the perspective of three women, and a triptych on the millennial generation where concepts such as 'toxic positivism' resonate. These are just three of the ingredients that make the new edition of the Festival de la Palabra, an initiative organized by Produccions de Ferro that takes place between the months of October and May, can be defined as "a festival of construction." "And that doesn't mean it's a festival under construction," Toni Gomila, director of Producciones de Hierro, suddenly clarifies in conversation with ARA Baleares, "but rather it invites us to reflect on how we build cities and how we relate to each other, all together, indirectly and sometimes in very obvious ways."

Son Puig-gros is the farm that Miquel, who played the piglet when he was a child, obtained with the profits from a souvenir in Palmanova. He has become the lord of the great estate and its hundreds of quartered estates. In Son Puig-gros, the new lords hold a dinner to celebrate the event with friends, family, former owners, and neighbors. This is the contextual region where the story ofThe butchers, by Guillem Frontera, his first novel, for which he was awarded the Ciutat de Palma Prize. It was 1969, when we all thought that a bright new world was opening up before our eyes, while the young former student of La porciúncula, aspiring poet and budding novelist, saw and explained to us what none of us were capable of seeing, intuiting, or anything similar. Therefore, The butchers It is not a premonitory work nor Son Puig-gros, merely a metaphor, but evidence that the horn of plenty came with a toll, many tariffs and no turning back.