Whoever thinks that the unforgettable memory of the first performance, in 1995, of Twist & Chekhov would diminish or eliminate any of the possibilities of enjoying the revival is wrong. The only thing that has been lost along the way is its amazing breadth. After forty years of Iguana Teatre and thirty of this production, the only thing that could surprise us about the group would be a theatrical fritter, but, as the bullfighter said: "What cannot be cannot be, and furthermore, it is impossible." There is no doubt that Twist & Chekhov It was the great theatrical revolution in our history. It was a breath of fresh air in the world of theater, not only in the way it approached interpretation, but also in the choice, conception, and structure of the work. When the usual thing would have been to recreate The Seagull, Uncle Vanya either The cherry orchard, that the author was quoted upwards, Pere Fullana pulled out of the basket an unlikely and wonderful miscellany made up of nine Anton Chekhov stories as if they were one. A small fade to black scatters the stage with the different stories, infused with Beckett-esque traits, which unfold at a pace as brisk as it is light. We were left speechless. There was a good reason.