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    <title><![CDATA[Ara Balears in English - The architect]]></title>
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    <description><![CDATA[Ara Balears in English - The architect]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Stories from History]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/stories-from-history_1_5557397.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/f925d25f-3bc5-4410-add6-454f8479d84b_16-9-aspect-ratio_default_0.jpg" /></p><p>There are no stories written in lowercase. All of them, regardless of their impact, contribute to the story written in uppercase, as can be seen in <em>The architect, </em>Performed at the Teatro del Mar, written by Josep Ramon Cerdà, directed by Rebeca del Fresno, and starring Xisco Segura, Miquel Àngel Torrens, Caterina Alorda, and Xen Garcinuño. A story within the history of this country, a brushstroke brimming with elements and countless corners and angles that, in some way, precisely depict the origins of who we are. A hypothetical conversation forms the backbone of the narrative, speculating on speculation, tourism and all its consequences, and modernization at any cost, against a mysterious backdrop that simultaneously lends substance to the story: the murder of one of the main protagonists, two renowned architects, one by name and the other by artist. With them, Cerdà weaves fiction from reality. A Pasolinian crime. <em>forward the letter </em>Unresolved, all shadow and without a single glimmer of light, it serves as a buttress for an entire ship that would become an immense, unattainable building, with the capparas of two ways of understanding a profession that is always sidelined. Ferragut was an exception and died in not so strange circumstances.</p>]]></description>
      <dc:creator><![CDATA[J.A. Mendiola]]></dc:creator>
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      <pubDate><![CDATA[Mon, 10 Nov 2025 18:46:47 +0000]]></pubDate>
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      <media:title><![CDATA[A pivotal moment in The Architect: the double interrogation.]]></media:title>
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      <subtitle><![CDATA[The unsolved Pasolinian crime 'avant la lettre' serves as a buttress for an entire ship that would become an immense, unattainable building, with the capparas of two ways of understanding a profession that always puts itself aside]]></subtitle>
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