At the Llubí Theatre, there was that "let's see what happens" vibe. Five musicians who had never met before, a stage, and zero rush to label anything. Leïla Duclos (vocals and guitar), Camille Bertault (vocals), Enric Fuster (drums), Fady Farah (piano), and Joan Garcias (double bass) came out with the only clear idea that mattered: to listen to each other and play.

Geometrical Sardine took to the stage with the natural ease of those who know their world is also a shared game. And here, the images of Toni Cobos, the visual artist we know as Hijo Espectro, have much to say: they are not simply a backdrop but an engine that propels the music to another place. Roca summed it up clearly: "They are 50% of the show." And yes, they are. The live performance gains depth when everything breathes at once: lights, textures, noises, and silence.

With over 80% capacity, the Casa des Poble d'Esporles hosted a solid performance by the Joachim Govin Quartet, a group that has been working together for ten years and has made its mark with its albums Items (2015) andPresent (2020). On stage, Govin—discreet in presence but firm in direction—set the course with a double bass that defined the contours of each piece and maintained the group's balance.

The Sant Bonaventura cloister theatre hosted a concert marked by intimacy and intensity. Pianist Levi Harvey and tenor saxophonist Jérémie Lucchese created a meticulously crafted sensory atmosphere, with a surprisingly full sound for a duo. The precision of their execution and the way they articulated each piece kept the audience captivated from the very first bar.