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    <title><![CDATA[Ara Balears in English - piano]]></title>
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    <description><![CDATA[Ara Balears in English - piano]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Torrandell, Debussy and Samper]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/torrandell-debussy-and-samper_1_5578725.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/cd3e7a89-c27e-4dea-bbd0-e65965bc47cb_16-9-aspect-ratio_default_0.jpg" /></p><p>Tomeu Moll-Mas, along with Caterina Alorda in his first performance and with Marta Bauzà and Roger Padullés in the second, within a few days of each other, interpreted and in a way revived the works of Antoni Torrandell and Baltasar Samper, two Mallorcan composers and contemporaries of undisputed quality and significance. These are not the only similarities, since, in addition to being Mallorcan and contemporaries, both were highly accomplished pianists who sought much of the inspiration and influence in Paris, after many hours of study, that they could not find at home. Perhaps, almost certainly, because the island had become too small for them, but this is another story that would even merit, especially in the case of Samper, a documentary. What is important and significant is to shed light on these unjustly forgotten scores. A light that, in Torrandell's case, shone in his hometown of Inca, at the Teatre Principal, where Tomeu Moll, with good judgment, in this concert entitled <em>Torrandell and Debussy!,</em> She not only performed some of her pieces, specifically three more as an encore, but also complemented them with the <em>Prints </em>and <em>The joyous isle</em>Claude Debussy's work, as if making a comparison, to demonstrate the striking parallels between the two. Furthermore, if any piece, due to its difficulty, could be singled out above the others, it would be the third movement of the first. <em>The gardens pay the rain,</em> of superb quality, and which, moreover, was premiered in its day by Ricard Viñes, Torrandell's master of virtuosity. And Moll-Mas performed Torrandell's work. <em>Splendeur du printemos op. 9, Enchantements mistérieux op. 13, Chimere Op 26 </em>and<em> Son Alcalde op. 46. </em>It was on the third one, <em>Chimere.</em> <em>For reciter and piano, </em>A recording exists of Joan Moll and Biel Mesquida, in which Caterina Alorda recited the beautiful and enchanting poem, accompanied by piano, providing a backdrop that amplified the value and meaning of the words. A magical moment. Moll-Mas, for his part, added this essential thread of sensible energy to transform the evening into much more than a well-deserved tribute, with a screen serving as a fitting backdrop, where the pianist's hands could be seen at many points. Added value.</p>]]></description>
      <dc:creator><![CDATA[J.A. Mendiola]]></dc:creator>
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      <pubDate><![CDATA[Sun, 30 Nov 2025 18:49:05 +0000]]></pubDate>
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      <media:title><![CDATA[Moll-Mas and the actress Caterina Alorda performing 'Chimère', by Torrandell.]]></media:title>
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      <subtitle><![CDATA[Tomeu Moll-Mas, in just a few days, has interpreted and in some way brought back to life Antoni Torrandell and Baltasar Samper.]]></subtitle>
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