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    <title><![CDATA[Ara Balears in English - Alternatilla Jazz Festival]]></title>
    <link><![CDATA[https://en.arabalears.cat/etiquetes/alternatilla-jazz-festival/]]></link>
    <description><![CDATA[Ara Balears in English - Alternatilla Jazz Festival]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Eva Fernández's trio grows up in the church of the Cloister of Sant Domingo]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/eva-fernandez-s-trio-grows-up-in-the-church-of-the-cloister-of-sant-domingo_1_5592703.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a1483abf-aa9d-498b-8d41-48a0ad9dd8b8_16-9-aspect-ratio_default_1055044.jpg" /></p><p>The Church of the Cloister of Sant Domingo de Pollença hosted a concert on December 7th by Eva Fernández in a trio format, accompanied by Josep Munar (guitar) and Enric Fuster (drums). These three musicians had previously collaborated on the album <em>I ask</em> (2018), and once again demonstrated a natural and perfectly tuned rapport.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
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      <pubDate><![CDATA[Mon, 15 Dec 2025 09:49:28 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/a1483abf-aa9d-498b-8d41-48a0ad9dd8b8_16-9-aspect-ratio_default_1055044.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Eva Fernández]]></media:title>
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      <subtitle><![CDATA[The concert progressed with a measured balance between music and words.]]></subtitle>
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      <title><![CDATA['Alma', the third album by Chicuelo and Mezquida, takes full shape in Palma]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/alma-the-third-album-by-chicuelo-and-mezquida-takes-full-shape-in-palma_1_5592692.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/5f711ebc-4705-4bcc-a5d5-f60d91f0ddad_16-9-aspect-ratio_default_0.jpg" /></p><p>Amid smiles and a naturalness possessed only by musicians who create from the pure present, Mezquida recounted that he had responded that way to a question posed by a journalist from Ibiza. The phrase served as the unintentional thread that guided a concert which reiterated, with absolute certainty, that the music of this duo needs no framework to be understood. It simply happens, flows, builds, and transforms before the audience.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
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      <pubDate><![CDATA[Mon, 15 Dec 2025 09:43:28 +0000]]></pubDate>
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      <media:title><![CDATA[Chichuelo and Mezquida]]></media:title>
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      <subtitle><![CDATA[The concert followed almost the same order as the album, starting with 'Najando' and 'Carrer del Peligro', and adding two pieces from 'Conexión'.]]></subtitle>
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      <title><![CDATA[Toni Vaquer and Voodoo Children Collective master the art of stretching jazz]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/toni-vaquer-and-voodoo-children-collective-master-the-art-of-stretching-jazz_1_5592663.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/d9e449bf-ffda-4b34-8f2b-1358519fbd0d_16-9-aspect-ratio_default_0.jpg" /></p><p>Toni Vaquer's project maintains its commitment to exploring unusual formats and integrating them into a single sonic language. In Voodoo Children Collective, this commitment materializes in a unique fusion: classical instruments that allow "music to be stretched like rubber" coexist with tubes of <em>big band </em>Drier and more defined, shaping a discourse that constantly evolves without losing coherence. Vaquer assumes a role that goes beyond directing: he presents, contextualizes, and dedicates each piece, often turning them into gestures of recognition for the project's musicians.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
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      <pubDate><![CDATA[Mon, 15 Dec 2025 09:21:33 +0000]]></pubDate>
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      <media:title><![CDATA[Toni Vaquer and Voodoo Children Collective]]></media:title>
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      <subtitle><![CDATA[One of the highlights of the night was the dialogue between the two batteries, framed as complementary rather than confrontational.]]></subtitle>
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