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    <title><![CDATA[Ara Balears in English - Main Theatre of Palma]]></title>
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    <description><![CDATA[Ara Balears in English - Main Theatre of Palma]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[Three and a half centuries of comedy, fire and queens at the Principal Theatre of Palma]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/history/three-and-half-centuries-of-comedy-fire-and-queens-at-the-teatro-principal-in-palma_130_5685496.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/2b0dcbf9-1d84-481a-b661-a07ba02d28c3_16-9-aspect-ratio_default_0.jpg" /></p><p>It was formerly called the House of Comedies, and the current building was constructed in the 19th century. But Palma's Principal Theatre stands on the same site where performances were already taking place in the 17th century. For 359 years, comedies have been staged in the same location, next to the former stream that gives its name to the street where it is located. As we approach World Theatre Day, as we do every March 27th, we explore the history of this stage.</p>]]></description>
      <dc:creator><![CDATA[Francesc M. Rotger]]></dc:creator>
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      <pubDate><![CDATA[Sat, 21 Mar 2026 16:10:35 +0000]]></pubDate>
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      <media:title><![CDATA[Exterior of the Teatro Principal in Palma in the past.]]></media:title>
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      <subtitle><![CDATA[Ahead of World Theatre Day, we explore the history of Palma's oldest performing arts venue, a building constructed on the same site where shows were already being performed in the 17th century.]]></subtitle>
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      <title><![CDATA[Long live the emperor!]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/long-live-the-emperor_1_5628962.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/7a40a999-d1a3-4688-aa01-f72d6b5d6eac_16-9-aspect-ratio_default_0.jpg" /></p><p><em>Animula, vagula, blandula/ Hospes comesque corporeal/</em> <em>Quae nunc abibis in loca/</em> <em>Pallid, rigid, nudula,</em> <em>Neco, ut solas, dabis yocos…</em> Thus begins the funeral poem written by the Emperor Hadrian, which inspired Marguerite Yourcenar for her <em>Memoirs, </em>as a hypothetical farewell letter he writes to his young successor, Marc Aureli. A piece that was, at the time, essential and delightful reading. Years later, none other than Maurizio Scaparro brought them to the stage in an adaptation by Jean Launay, starring Giorgio Albertazzi, which we saw at Madrid's Teatro Albéniz. The director himself revived it in Spanish, starring José Sancho, with whom he toured much of the Iberian Peninsula.</p>]]></description>
      <dc:creator><![CDATA[J.A. Mendiola]]></dc:creator>
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      <pubDate><![CDATA[Mon, 26 Jan 2026 10:18:00 +0000]]></pubDate>
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      <media:title><![CDATA[Homar and Nahuel are Adrià and Antinous.]]></media:title>
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      <subtitle><![CDATA[The choice of fragments from 'Memoirs of Hadrian' is very appropriate, perhaps more necessary than ever, in times of this universal anger that surrounds us.]]></subtitle>
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