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    <title><![CDATA[Ara Balears in English - dramaturgy]]></title>
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    <description><![CDATA[Ara Balears in English - dramaturgy]]></description>
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    <ttl>10</ttl>
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      <title><![CDATA[How was Josep Ramon Cerdà, according to his sister: “We see him as the brother with a star”]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/how-was-josep-ramon-cerda-according-to-his-sister-we-see-him-as-the-brother-with-star_1_5699016.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/98c01a6a-ea91-41e5-8afd-355a95fae863_16-9-aspect-ratio_default_0.jpg" /></p><p>In an 80-square-meter apartment in Madrid Square, six people lived: four siblings, mother, and father. At times, the grandmother was also there. It was a noisy house with a large terrace, and while some were returning from high school, a baby was crying. There is a 14-year age difference between the eldest brother and the youngest in the house. “It surprises me how, in the middle of that chaotic house, full of shouts and playing children, Pep could read, completely absorbed. He had a brutal capacity for concentration, it was as if he escaped.” Pep is Josep Ramon Cerdà (Palma, 1971), a playwright and professor. His younger sister, Margalida, known on social media as Madò Llucia, introduces us to him.</p>]]></description>
      <dc:creator><![CDATA[Clàudia Darder]]></dc:creator>
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      <pubDate><![CDATA[Sun, 05 Apr 2026 14:58:58 +0000]]></pubDate>
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      <media:title><![CDATA[The playwright Josep Ramon Cerdà]]></media:title>
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      <subtitle><![CDATA[Margalida Cerdà, sister of the playwright, tells us the best-kept secrets of her childhood]]></subtitle>
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      <title><![CDATA[Pasolini's uncomfortable theatre]]></title>
      <link><![CDATA[https://en.arabalears.cat/misc/pasolini-s-uncomfortable-theatre_129_5633886.html]]></link>
      <description><![CDATA[<p>The bilingual edition of the volume <em>Tragedies I</em> The collection of works by the immense Pier Paolo Pasolini, published by Prometeu—with the sponsorship of the Institut del Teatre and the Barcelona Provincial Council—constitutes a significant editorial contribution to the field of contemporary Catalan-language drama. <em>Calderón</em>, <em>Fabulation</em> and <em>Pills</em>This powerful book allows us to explore a creative arc that ranges from the modern pastiche of Golden Age tragedy to the dissection of bourgeois family and society, and the necessary return to Greek myths as the matrix of ideologies in perpetual conflict. This energy undoubtedly resonates with the desperate vitality that marked the life of the Italian genius. In addition to restoring a body of work often relegated by the author's centrality in film and literature, this publication focuses on Pasolini as a political playwright, always attentive to the material and symbolic metamorphoses of Power in its purest form.</p>]]></description>
      <dc:creator><![CDATA[Jaume C. Pons Alorda]]></dc:creator>
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      <pubDate><![CDATA[Fri, 30 Jan 2026 18:55:59 +0000]]></pubDate>
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