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    <title><![CDATA[Ara Balears in English - generation]]></title>
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    <ttl>10</ttl>
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      <title><![CDATA[Portrait (of five artists) of a generation saved by cynicism]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/portrait-of-five-artists-of-generation-saved-by-cynicism_130_5813280.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/f0d63368-94e6-47c3-9e0d-3126d6cf9e01_16-9-aspect-ratio_default_0.jpg" /></p><p>“I think I can be the voice of my generation… Or at least a voice of a generation” is the most iconic phrase of the character Hannah Horvath in <em>Girls</em>, the series written by and starring Lena Dunham, which is already one of the best generational narratives of the early 21st century. In the case of Mallorca, in the midst of the 2020s, a whole host of young artists are giving voice to their generation. Anna Picornell, Miquel Mas, Lluïsa Febrer, Josep Alorda, and Mariona Jaume are five of them. With music, theater, drawing, cinema, and dance, respectively, they capture their <em>Zeitgeist </em>(the spirit of an era, in German). The moment they have to live through – like Hannah – grants them this fair dose of enthusiasm, marked by a realism that doesn't quite become pessimistic, and a need to define themselves shaped by social media.</p>]]></description>
      <dc:creator><![CDATA[Alba Tarragó]]></dc:creator>
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      <pubDate><![CDATA[Thu, 30 Jul 2026 19:21:16 +0000]]></pubDate>
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      <media:title><![CDATA[Anna Picornell, Miquel Mas, Lluïsa Febrer, Josep Alorda and Mariona Jaume.]]></media:title>
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      <subtitle><![CDATA[Five artists approaching thirty state that with their work they no longer expect to change the world, but to survive it: "We laugh collectively at our general defeat"]]></subtitle>
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      <title><![CDATA[We are nothing completely. We are all halfway]]></title>
      <link><![CDATA[https://en.arabalears.cat/society/we-are-nothing-completely-we-are-all-halfway_1_5705272.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/76edba75-7255-4d9c-9927-9187cd62c4db_16-9-aspect-ratio_default_0.jpg" /></p><p>I find remnants in my home of things that are half-finished. Small daily failures. The leggings and the running top that have been hanging in the bathroom for two weeks, optimistic. The vinegar and the rice paper wrappers I bought at the Japanese week at Lidl, convinced I would make Goi Cuon, fresh Vietnamese rolls. The three books started on the bedside table. The analog camera that I proposed to myself – once a month – to learn to use once and for all. A table, which was more than a table, it was an investment to do a lot of work on and earn a lot of money. Versions of myself that I can't decide on. I want to be all of them at once out of cowardice, because I don't believe enough in any of them.</p>]]></description>
      <dc:creator><![CDATA[Alba Tarragó]]></dc:creator>
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      <pubDate><![CDATA[Sun, 12 Apr 2026 15:42:24 +0000]]></pubDate>
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      <media:title><![CDATA[We get lost trying to love ourselves, being The Worst Person in the World, by Joachim]]></media:title>
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      <subtitle><![CDATA[Between small daily failures and unattainable expectations, the thirties become a labyrinth of incomplete decisions and the constant search to love and be loved]]></subtitle>
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