Third installment of a new season at the Principal Theatre of Inca, home of the Orquestra de Cambra de Mallorca, which we were able to hear once again at the church of Llubí. A program that was already quite appealing in itself, with a degree of difficulty that made it an added value and with an undisputed figure, Eduardo Ríos, violinist of the Berliner Philharmoniker, as the soloist commissioned for the occasion to bring to life the Violin Concerto in D major, op. 6. One of the most convoluted concertos and the only one Ludwig van Beethoven composed for the instrument. A composition that, like so many others, carries its legend attached. Premiered by Franz Clement, he received the score very shortly before the concert, and performed it as if it were almost a first reading, but, moreover, he added a sonata of his own as a cadenza played on a single string and with the violin upside down. So difficult was the execution of the concerto that the virtuosos of the time decided it was unplayable, until, thirty-six years after its premiere, at the age of thirteen, and with Felix Mendelssohn conducting, Josef Joachim placed it on the pedestal it deserved and from which it has never descended again.

Third installment of a new season at the Principal Theatre of Inca, home of the Orquestra de Cambra de Mallorca, which we were able to hear once again at the church of Llubí. A program that was already quite appealing in itself, with a degree of difficulty that made it an added value and with an undisputed figure, Eduardo Ríos, violinist of the Berliner Philharmoniker, as the soloist commissioned for the occasion to bring to life the Violin Concerto in D major, op. 6. One of the most convoluted concertos and the only one Ludwig van Beethoven composed for the instrument. A composition that, like so many others, carries its legend attached. Premiered by Franz Clement, he received the score very shortly before the concert, and performed it as if it were almost a first reading, but, moreover, he added a sonata of his own as a cadenza played on a single string and with the violin upside down. So difficult was the execution of the concerto that the virtuosos of the time decided it was unplayable, until, thirty-six years after its premiere, at the age of thirteen, and with Felix Mendelssohn conducting, Josef Joachim placed it on the pedestal it deserved and from which it has never descended again.