It is just another almond tree. One of the thousands scattered across the Mallorcan geography that have defined its landscape and, therefore, its culture and identity for centuries. Specifically, since the end of the 18th century. Filtered through Joan Fontcuberta (Barcelona, 1955), however, it is many other things, without ceasing to be, precisely, an almond tree. It is a sculptural figure, which alludes to a human presence, perhaps the naked body of a woman, and at the same time it is a kind of zombie, an anonymous and forgotten vestige: a part of the remains left by the Xylella fastidiosa catastrophe in the Mallorcan countryside. It is a relic, and also a prophecy, which is difficult to distinguish whether it comes from the dream world or the real one.