There are moments in opera that, always and without exception, are absolutely memorable. These are the ones when the singer has just finished performing the most famous aria of the composition, and the audience's applause has a special, very eloquent, even demanding tone. And, if it almost always loses intensity, in these cases the decibels increase exponentially. The protagonist first remains silent, respectful and grateful, without any movement, not even the slightest that could interrupt the celebration that the spectators from above have initiated and have spread to the rest. He looks at the conductor. He, attentively, waits for the protagonist to nod affirmatively, corroborating what everyone already had clear. And thus begins anew the apotheosis, the encore. For the Majorcans who were there, it had added value, the first thing Xabier Anduaga did, with Una furtiva lagrima, was at the Principal Theatre in Palma. On Sunday, at the third performance of his first Werther, the Liceu erupted and turned the evening into a memorable one, one of those that are not forgotten. Xabier Anduaga encored, for the first time in his debut of the tragic character par excellence, the very famous and legendary Pourquoi me réveiller. A circumstance that could have made the rest of the performance a mere anecdote.