There are moments in opera that, always and without exception, are absolutely memorable. They are those when the singer has just performed the most famous aria of the composition, the audience's applause has a special, very eloquent, even demanding tone. And, if they almost always lose intensity, in these cases the decibels increase exponentially. The protagonist first remains silent, respectful and grateful, without any movement, not even the slightest that could interrupt the party that the spectators from up there have started and have spread to the rest. He looks at the conductor. He, attentive, waits for the protagonist to close his eyes affirmatively, corroborating what more or less everyone already had clear. And so the apotheosis, the encore, begins again. For the Majorcans who were there, it had added value, the first one Xabier Anduaga did, with Una furtiva lagrima, was in the Principal Theater of Palma. On Sunday, at the third performance of his first Werther, the Liceu erupted and turned the evening into a memorable one, one of those that are not forgotten. Xabier Anduaga encored, for the first time in his debut of the tragic character par excellence, the very famous and legendary Pourquoi me réveiller. A circumstance that could have turned the rest of the performance into pure anecdote.