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    <title><![CDATA[Ara Balears in English - Cinema]]></title>
    <link><![CDATA[https://en.arabalears.cat/etiquetes/cinema/]]></link>
    <description><![CDATA[Ara Balears in English - Cinema]]></description>
    <language><![CDATA[es]]></language>
    <ttl>10</ttl>
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    <item>
      <title><![CDATA[The 2026 Mountain Film Festival is here]]></title>
      <link><![CDATA[https://en.arabalears.cat/sports/the-mountain-film-festival-2026-is-already-here_1_5880403.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/54d01435-8bdb-4d5d-b488-42f96f54d948_16-9-aspect-ratio_default_0.jpg" /></p><p>The Palma Mountain Film Festival will celebrate its 17th edition from October 19th to 27th with nine days of cinema, adventures, and reflection on the landscapes and challenges of the mountains. The program includes the world premiere of <em>Hatua</em>, about Mix Manresa's expedition to Kilimanjaro with an adaptive bicycle, the presentation of the ascent of Yerupajá by alpinists Marc Toralles and Bru Busom, and a look at the Serra de Tramuntana through two Mallorcan filmmakers.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/sports/the-mountain-film-festival-2026-is-already-here_1_5880403.html]]></guid>
      <pubDate><![CDATA[Thu, 15 Oct 2026 18:32:51 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/54d01435-8bdb-4d5d-b488-42f96f54d948_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Presentation of the 2026 Mountain Film Festival]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/54d01435-8bdb-4d5d-b488-42f96f54d948_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The exhibition will screen 24 films from eleven countries between October 19 and 27, with 21 premieres in the Balearic Islands and a commitment to local creation linked to the Serra de Tramuntana]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Diane Kruger will receive the Evolution Icon Award]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/diane-kruger-will-receive-the-evolution-icon-award_1_5878791.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/e8ea62ee-8ac2-416a-ba8a-377c6e30a48d_16-9-aspect-ratio_default_0.jpg" /></p><p>Actress Diane Kruger will be one of the protagonists of the 15th Evolution Mallorca International Film Festival (EMIFF), which will take place from October 28th to November 4th. The event will grant her the Evolution Icon Award in recognition of a career that has connected European cinema with Hollywood, with titles such as <em>Troy</em>, <em>National Treasure</em> and <em>Inglourious Basterds</em>. Over eight days, the festival will screen more than 140 films and documentaries in 13 locations in Mallorca and expects to bring together more than 8,000 attendees.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/diane-kruger-will-receive-the-evolution-icon-award_1_5878791.html]]></guid>
      <pubDate><![CDATA[Wed, 14 Oct 2026 11:31:09 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/e8ea62ee-8ac2-416a-ba8a-377c6e30a48d_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The actress Diane Kruger.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/e8ea62ee-8ac2-416a-ba8a-377c6e30a48d_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The festival will also pay tribute to Edward Berger and the Mallorcan Pau Aulí in an edition with more than 140 films and 44 projects from the Islands]]></subtitle>
    </item>
    <item>
      <title><![CDATA[How was Marga Melià, according to her friend: "She was a devourer of books"]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/how-was-marga-melia-according-to-her-friend-she-was-devourer-of-books_1_5876292.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/3d42d520-944d-4b3d-a953-ac453c75678d_16-9-aspect-ratio_default_0.jpg" /></p><p>Like so many other young people born in the eighties, she grew up with series such as<em> Sesame Street</em>, <em>David the Gnome</em>, <em>Full House</em> and <em>Around the World in 80 Days</em>; and with the films <em>Back to the Future</em>, <em>The Sound of Music</em> and <em>Mary Poppins</em>, which she watched over and over again. A particularity of her home, however, is that both her father and her mother were great film buffs (and readers), so they also habitually watched films by Chaplin, the Marx brothers, Woody Allen, Bergman, and Italian and American classics. All these stimuli made that “shy girl” spend part of her early years curious about the great questions of humanity: who we are and where we come from, how big the universe is, death. Marga Melià Rigo (Palma, 1982), “restless and curious,” is still looking for answers. Her lifelong friend Deborah Florit tells us about it.</p>]]></description>
      <dc:creator><![CDATA[Clàudia Darder]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/how-was-marga-melia-according-to-her-friend-she-was-devourer-of-books_1_5876292.html]]></guid>
      <pubDate><![CDATA[Sun, 11 Oct 2026 15:18:00 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/3d42d520-944d-4b3d-a953-ac453c75678d_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The screenwriter and film director Marga Melià, as a child.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/3d42d520-944d-4b3d-a953-ac453c75678d_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Deborah Florit, friend of the screenwriter and film director explains to us the best kept secrets of her childhood]]></subtitle>
    </item>
    <item>
      <title><![CDATA[“We have been pioneers in the disaster, but we can also be in the response”]]></title>
      <link><![CDATA[https://en.arabalears.cat/society/we-have-been-pioneers-in-the-disaster-but-we-can-also-be-in-the-response_128_5860030.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/471481a3-d582-4edc-8254-bf03883acce4_16-9-aspect-ratio_default_0.jpg" /></p><p><em>Supporting Paradise </em>is a literary and cinematographic work that has already accumulated several lives. The publisher Lunwerg published the first edition of this book of conversations with twenty Majorcan artists in 2011 and now Lleonard Muntaner has reissued it. The documentary, premiered this 2026 at the Atlàntida Mallorca Film Fest, recovers interviews filmed in 2012 to portray the loss of identity, the destruction of the territory and the contradictions of tourist Mallorca. The film confronts those warnings with the gaze of a new generation of creators. We talk about it with the director about the creative process, about cinema as a space for dialogue and about the defeat, the indignation and the hope that cross the social context in which it has been premiered. </p>]]></description>
      <dc:creator><![CDATA[Mercè Pinya]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/society/we-have-been-pioneers-in-the-disaster-but-we-can-also-be-in-the-response_128_5860030.html]]></guid>
      <pubDate><![CDATA[Thu, 24 Sep 2026 19:09:28 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/471481a3-d582-4edc-8254-bf03883acce4_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Marga Melià, director of Enduring paradise.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/471481a3-d582-4edc-8254-bf03883acce4_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Filmmaker]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Edward Berger, Iris Berben and Matthew Libatique, recognized at the 15th edition of the Evolution Mallorca]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/edward-berger-iris-berben-and-matthew-libatique-recognized-at-the-15th-edition-of-the-evolution-mallorca_1_5858857.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/ea708706-e6d7-4c41-8827-c55b157caccd_16-9-aspect-ratio_default_0.jpg" /></p><p>The Evolution Mallorca International Film Festival (EMIFF) will celebrate its 15th edition from October 28th to November 4th, 2026, and has announced the main awards and protagonists of the event at a preliminary act held at the INNSiDE Calviá Beach hotel.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/edward-berger-iris-berben-and-matthew-libatique-recognized-at-the-15th-edition-of-the-evolution-mallorca_1_5858857.html]]></guid>
      <pubDate><![CDATA[Wed, 23 Sep 2026 16:31:19 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/ea708706-e6d7-4c41-8827-c55b157caccd_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Family photo of the festival presentation.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/ea708706-e6d7-4c41-8827-c55b157caccd_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The event will take place from October 28 to November 4 and will have Marc Clotet as president of the jury]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Calvià, a film set by the seaside]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/calvia-film-set-by-the-seashore_1_5845966.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/a0710463-1781-4e9b-a874-8cc3695823b5_16-9-aspect-ratio_default_0.jpg" /></p><p>In the summer of 1967, Michael Caine arrived in Portals Vells to shoot a film set in Greece. It was not the initial plan. The Magus, the film adaptation of the novel by John Fowles, was supposed to bring to the screen a story set on a remote Greek island, but the political instability caused by the coup of the colonels forced the production to seek an alternative. It found it in Mallorca.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/calvia-film-set-by-the-seashore_1_5845966.html]]></guid>
      <pubDate><![CDATA[Thu, 10 Sep 2026 15:54:26 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/a0710463-1781-4e9b-a874-8cc3695823b5_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Calvià has appeared in infinite film shoots and other productions.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/a0710463-1781-4e9b-a874-8cc3695823b5_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Michael Caine, Anthony Quinn, Marisol, Peter Ustinov, Anne Hathaway and Gigi Hadid are some of the names that have passed through the municipality, which recovers more than six decades of filming with a route through the settings that have appeared on the big screen]]></subtitle>
    </item>
    <item>
      <title><![CDATA[The Atlàntida Mallorca Film Fest closes the edition with 1.57 million views on Filmin]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/the-atlantida-mallorca-film-fest-closes-the-edition-with-1-57-million-views-filmin_1_5842764.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/42817eb1-c3b6-4f09-8589-4ad67b1b0763_16-9-aspect-ratio_default_0.png" /></p><p>The Atlàntida Mallorca Film Fest (AMFF) has closed its <em>online </em>edition on Filmin with 1,575,000 views, 5% more than in 2025. This figure completes the balance of a 16th edition that has also broken attendance records in Mallorca, with more than 53,500 spectators.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/the-atlantida-mallorca-film-fest-closes-the-edition-with-1-57-million-views-filmin_1_5842764.html]]></guid>
      <pubDate><![CDATA[Mon, 07 Sep 2026 14:17:16 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/42817eb1-c3b6-4f09-8589-4ad67b1b0763_16-9-aspect-ratio_default_0.png" type="image/jpeg"/>
      <media:title><![CDATA[The advertising poster of the Atlàntida Mallorca Film Fest.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/42817eb1-c3b6-4f09-8589-4ad67b1b0763_16-9-aspect-ratio_default_0.png"/>
      <subtitle><![CDATA[The festival grows 5% compared to last year and exceeds 53,500 spectators in its in-person edition in Mallorca]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Mallorca claims its traditional cuisine at the San Sebastian Festival]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/mallorca-reclaims-its-traditional-cuisine-at-the-san-sebastian-festival_1_5833540.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/03f0243f-6a88-434a-894b-3b9991980a7c_16-9-aspect-ratio_default_0.jpg" /></p><p>The documentary <em>Mallorca, a recipe book</em>, directed by Majorcan Pablo Bujosa Rodríguez, will close the Culinary Cinema section of the San Sebastián festival with a tour of various towns on the island to reclaim traditional Majorcan cuisine and the gastronomic knowledge passed down from generation to generation.The film, which will premiere at the festival on September 25, focuses on a way of understanding cuisine linked to the territory, seasonal products, and family recipes. According to the film's synopsis, "cooking has never been a neutral act." "One places oneself in front of the fire when hungry, but not only with the intention of satisfying hunger: there is always a little more behind this exercise," it continues. "When we think of a recipe, we do so from a specific place, incorporating who we are, what we have been taught. And when we execute it, we do so respecting rituals we have seen repeated for years," it concludes.</p>]]></description>
      <dc:creator><![CDATA[Héctor Rubio]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/mallorca-reclaims-its-traditional-cuisine-at-the-san-sebastian-festival_1_5833540.html]]></guid>
      <pubDate><![CDATA[Thu, 27 Aug 2026 14:04:08 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/03f0243f-6a88-434a-894b-3b9991980a7c_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Trailer of the documentary 'Mallorca, a recipe book' by Pablo Bujosa]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/03f0243f-6a88-434a-894b-3b9991980a7c_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The documentary by Pablo Bujosa travels through various villages on the island to vindicate a gastronomy based on seasonal products and knowledge passed down through generations]]></subtitle>
    </item>
    <item>
      <title><![CDATA['A walk through El Born' wins the award for best European film at a French festival]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/walk-through-the-born-wins-the-award-for-best-european-film-at-french-festival_1_5823687.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/7c0edc98-a4b3-4254-bd9b-56db3dbc0d8b_16-9-aspect-ratio_default_0.jpg" /></p><p>The Mallorcan production <em>Un passeig pel Born</em>, directed by Mallorcan Nick Igea, has won the award for best European film at the Bretagne International Film Festival, in France. With this recognition, the film has accumulated 48 international awards obtained at festivals organized in cities such as Vienna, Sydney, London, Paris, Florence, New York, and Los Angeles.</p>]]></description>
      <dc:creator><![CDATA[ARA Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/walk-through-the-born-wins-the-award-for-best-european-film-at-french-festival_1_5823687.html]]></guid>
      <pubDate><![CDATA[Thu, 13 Aug 2026 18:41:27 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/7c0edc98-a4b3-4254-bd9b-56db3dbc0d8b_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Image of the film.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/7c0edc98-a4b3-4254-bd9b-56db3dbc0d8b_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The film's director has denounced that the Consell de Mallorca failed to fulfill the commitment to contribute an economic amount to the film]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Shipwrecks]]></title>
      <link><![CDATA[https://en.arabalears.cat/opinion/shipwrecks_129_5822149.html]]></link>
      <description><![CDATA[<p>One of the favorite pastimes of intellectuals, as we are seeing, is to go against what the masses like. What is least forgivable about Christopher Nolan is not his cinema, but that it is liked, that it makes money, and at the same time enjoys the prestige of a good part of the critics and the Academy. </p>]]></description>
      <dc:creator><![CDATA[Melcior Comes]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/opinion/shipwrecks_129_5822149.html]]></guid>
      <pubDate><![CDATA[Wed, 12 Aug 2026 05:37:43 +0000]]></pubDate>
      <subtitle><![CDATA[]]></subtitle>
    </item>
    <item>
      <title><![CDATA[L'Atlàntida crowns 'Lionel' and honors Oscar winner Alexandre Desplat]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/atlantis-crowns-lionel-and-pays-tribute-to-oscar-winning-alexandre-desplat_1_5815668.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/ec635e93-a2ec-4e4a-a22e-765a865f2041_16-9-aspect-ratio_default_0.jpg" /></p><p>The film <em>Lionel</em>, by Carlos Saiz, has been the big winner of the 16th edition of the Atlàntida Mallorca Film Fest, which this Sunday lowered the curtain after registering its most massive edition. The festival also honored the French composer Alexandre Desplat, winner of two Oscars and distinguished with the Master of Cinema award for a career that includes soundtracks such as <em>The Grand Budapest Hotel</em> and <em>The Shape of Water</em>.</p>]]></description>
      <dc:creator><![CDATA[Ara Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/atlantis-crowns-lionel-and-pays-tribute-to-oscar-winning-alexandre-desplat_1_5815668.html]]></guid>
      <pubDate><![CDATA[Mon, 03 Aug 2026 07:36:40 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/ec635e93-a2ec-4e4a-a22e-765a865f2041_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The composer Alexander Desplat receives the Masters of Cinema at Atlàntida Film Fest.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/ec635e93-a2ec-4e4a-a22e-765a865f2041_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The French composer, winner of two Oscars, receives the Master of Cinema award while Carlos Saiz's film wins the festival's main prize in a record-breaking edition, with 53,500 in-person spectators]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Javier Bardem, in Palma: "Silence always encourages those who perpetrate crimes"]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/javier-bardem-in-palma-silence-always-encourages-those-who-perpetrate-crimes_1_5815642.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/c1087372-5bf8-4325-a539-d87fd4bd3736_16-9-aspect-ratio_default_0.jpg" /></p><p>Javier Bardem defended this Sunday in Palma that people with public projection should express their opinion on major current debates. “Whoever has a loudspeaker, should do it. I don't demand it from anyone, but if you can, it's good to do it”, he stated during the presentation of<em>The loved one</em> at the<a href="https://en.arabalears.cat/culture/atlantida-film-fest-from-pioneering-online-initiative-to-star-studded-gala_130_5811503.html" target="_blank">'Atlàntida Mallorca Film Fest</a>. The actor has justified this position, in addition to ensuring that “silence always encourages those who perpetrate crimes”.</p>]]></description>
      <dc:creator><![CDATA[Ara Balears]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/javier-bardem-in-palma-silence-always-encourages-those-who-perpetrate-crimes_1_5815642.html]]></guid>
      <pubDate><![CDATA[Mon, 03 Aug 2026 07:00:20 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/c1087372-5bf8-4325-a539-d87fd4bd3736_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The actor Javier Bardem during the presentation of 'El ser querido' in Palma.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/c1087372-5bf8-4325-a539-d87fd4bd3736_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[The actor defends that people with public projection speak out about current events during the presentation of 'El ser querido' at the Atlàntida Mallorca Film Fest, where Rodrigo Sorogoyen laments the impact of tourism on Mallorca]]></subtitle>
    </item>
    <item>
      <title><![CDATA[Portrait (of five artists) of a generation saved by cynicism]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/portrait-of-five-artists-of-generation-saved-by-cynicism_130_5813280.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/f0d63368-94e6-47c3-9e0d-3126d6cf9e01_16-9-aspect-ratio_default_0.jpg" /></p><p>“I think I can be the voice of my generation… Or at least a voice of a generation” is the most iconic phrase of the character Hannah Horvath in <em>Girls</em>, the series written by and starring Lena Dunham, which is already one of the best generational narratives of the early 21st century. In the case of Mallorca, in the midst of the 2020s, a whole host of young artists are giving voice to their generation. Anna Picornell, Miquel Mas, Lluïsa Febrer, Josep Alorda, and Mariona Jaume are five of them. With music, theater, drawing, cinema, and dance, respectively, they capture their <em>Zeitgeist </em>(the spirit of an era, in German). The moment they have to live through – like Hannah – grants them this fair dose of enthusiasm, marked by a realism that doesn't quite become pessimistic, and a need to define themselves shaped by social media.</p>]]></description>
      <dc:creator><![CDATA[Alba Tarragó]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/portrait-of-five-artists-of-generation-saved-by-cynicism_130_5813280.html]]></guid>
      <pubDate><![CDATA[Thu, 30 Jul 2026 19:21:16 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/f0d63368-94e6-47c3-9e0d-3126d6cf9e01_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Anna Picornell, Miquel Mas, Lluïsa Febrer, Josep Alorda and Mariona Jaume.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/f0d63368-94e6-47c3-9e0d-3126d6cf9e01_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Five artists approaching thirty state that with their work they no longer expect to change the world, but to survive it: "We laugh collectively at our general defeat"]]></subtitle>
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      <title><![CDATA["We have had to claim ourselves so much, that we are obsessed with ourselves"]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/we-have-had-to-claim-ourselves-much-that-we-are-obsessed-with-ourselves_128_5808988.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/6bf03efa-952e-4d62-919a-ae6eeb6874b4_16-9-aspect-ratio_default_0.jpg" /></p><p>A setting, a laptop with a webcam, and an hour of live chat with random people. With these ingredients and the premise of adapting the dramaturgy and choreography based on the conversations, Lluís Garau (La Torre, 1997) created <em>The Meat</em> in 2022, a <em>performance</em> interpreted entirely by him. His obsessions – the internet and identity shaped by algorithms – have led him to this “painful” process of stepping into the shoes of a cybersex addict. After receiving accolades such as the Oscar Wilde Award at the Dublin Theatre Festival, he turned <em>The Meat</em> in film, to go beyond the <em>cybercruising</em>. Directed by Joan Porcel, this <em>thriller </em>documentary has just won two Silver Biznagas in Malaga. It will be screened for the first time in Mallorca at the Atlàntida Film Festival.</p>]]></description>
      <dc:creator><![CDATA[Alba Tarragó]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/we-have-had-to-claim-ourselves-much-that-we-are-obsessed-with-ourselves_128_5808988.html]]></guid>
      <pubDate><![CDATA[Sat, 25 Jul 2026 17:48:51 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/6bf03efa-952e-4d62-919a-ae6eeb6874b4_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Lluís Garau.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/6bf03efa-952e-4d62-919a-ae6eeb6874b4_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Actor and creator]]></subtitle>
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      <title><![CDATA[Obsession and consent]]></title>
      <link><![CDATA[https://en.arabalears.cat/opinion/obsession-and-consent_129_5792211.html]]></link>
      <description><![CDATA[<p>The premiere of the film <em>Obsessió</em> has coincided in our corner of the world with a remarkable –sexual?– controversy. A politician over 30 years old has finally been expelled from a national-populist political party because he maintains affective relations with a minor, even though the girl is already 16 years old, the minimum for sexual consent (remember that it used to be 14). Between the two there was a student-teacher relationship, which further complicates matters.There has been a tremendous uproar on social media, motivated by the need or not to position ourselves as a society in the midst of a relationship of this kind, or whether it is enough to simply stick to the law and accept the bond once it is admitted that the girl's consent is valid. But there is a too obvious confusion of terms here: the law speaks of sexual consent, and that relationships from then on can be consensual and, therefore, there is no longer a crime of abuse. But what does this have to do with a relationship? We don't even know, nor do we have to know, if there has ever been sex between the two, apart from the love story ("sentimental relationship", says the professor in a public statement) that has motivated the fuss.Although we can assume so, the sexual act takes a backseat, because what is interesting to evaluate is to what extent a man over 30 plays fair when he seduces a woman – a woman? – so young, who moreover was ‘educating’. To start evaluating this is not for puritans or snobs, nor for moralists heirs of the Church, which has always married people even younger. The point is that love can be very beautiful, but life is long, and everything that seems like love to us, in the end may just be emotional dependence, and even abuse, which, beyond being criminally punishable, cannot be overlooked when people are not very aware of what they are doing or feeling. The writer Vanessa Springora has made an admirable book about all this (<em>The Consent</em>); it is the same ‘in love’ girl who then turns to society and asks: Why did you allow me to?In the recently released film <em>Obsession</em>, we see something similar: a boy makes a girl fall in love with him with a magic spell, and from then on he can't get rid of her. The film is becoming a phenomenon, and I'm not surprised, because it's magnificently shot and acted, especially by the actress (Inde Navarrete) who plays the 'in love' girl. The consummation of the young fool's sex-affective dream transforms into a major horror story, because there is nothing more terrifying than a forced love. Or a true love in a world where it no longer has a place, or when the lover doesn't know how to live up to what is given to him. Some have wanted to see in the film also an allegory of forced consent, or of those relationships based on deceit, or of the emotional dependence of young loves, which are always painfully unhealthy. And who is the monster, then, the fatally 'in love' girl or the one who has forced this love with wicked arts?</p>]]></description>
      <dc:creator><![CDATA[Melcior Comes]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/opinion/obsession-and-consent_129_5792211.html]]></guid>
      <pubDate><![CDATA[Wed, 08 Jul 2026 05:32:16 +0000]]></pubDate>
      <subtitle><![CDATA[]]></subtitle>
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      <title><![CDATA[Pollença turns the memory of the Patron Saint into a film story]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/pollenca-turns-the-memory-of-the-patron-saint-into-cinema-story_1_5752979.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/3669acb3-a24b-4a1a-925f-5d98eb652c08_16-9-aspect-ratio_default_0.jpg" /></p><p>About fifty people have participated in the creation of <em>The Last Day of May: The Other Heroes</em>, a short film linked to the events of May 31, 1550, and premiered this week in Pollença as part of the events leading up to the Patrona festival. The production, directed by Martí Pallicer, recovers a lesser-known part of that historical episode and focuses on characters who, despite having existed, are not part of the most popular narrative of the festival.</p>]]></description>
      <dc:creator><![CDATA[Bruno Rodríguez]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/pollenca-turns-the-memory-of-the-patron-saint-into-cinema-story_1_5752979.html]]></guid>
      <pubDate><![CDATA[Sat, 30 May 2026 08:32:28 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/3669acb3-a24b-4a1a-925f-5d98eb652c08_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Recording of The last day of May]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/3669acb3-a24b-4a1a-925f-5d98eb652c08_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA['The last day of May' recovers the anonymous heroes of the 1550 attack in a short film that has involved fifty people and that transfers to the screen one of the most emblematic episodes in the history of Pollença]]></subtitle>
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      <title><![CDATA[Troy trans]]></title>
      <link><![CDATA[https://en.arabalears.cat/opinion/troy-trans_129_5749642.html]]></link>
      <description><![CDATA[<p>Before it has premiered, everyone is already talking about it… I'm thinking about the version of the<em>Odyssey</em> that Christopher Nolan has filmed, which will be seen on the big screens next July. We already know that before this director, one of the most in-form cinematic artists of recent decades, had signed the story of<em>Oppenheimer</em> and before the adventures of Batman. The controversy is being generated by all those on social media who oppose certain roles being played by certain actors. Thus, the rumor – which seems to have been confirmed – that Helen of Troy will be played by a Black actress, Lupita Nyong'o, and that Elliot Page (formerly Ellen Page), a transgender man, might end up playing, no less than, the warrior Achilles. Recently, a new version of Mozart's life has premiered on television –<em>Amadeus</em>, on Skyshowtime – and I saw that the Salzburg genius was (magnificently) played by Will Sharpe, who is half Japanese, and that the Jewish and Italian librettist Lorenzo Da Ponte and the Austrian musician Süssmayr, who finished the <em>Requiem</em>, were played by Black actors. All of this might have been laughable a few years ago; right now it is motivating parodies on X, in which, however, a supposed injustice is highlighted: that we would never allow a historical Black character to be played by a white actor, like for example an Obama biopic embodied by Simón Andreu. If skin color doesn't matter, how can we defend ourselves if we are anti-racist, why is it concerning that Helen of Troy is played by a Black woman (even if she's very beautiful)? And it is evident that behind this there is a lot of guilty conscience and that from the cultural industries there is a desire to bet not only on diversity in jobs – and to give everyone a role in global productions: to satisfy quotas – but to compensate for the invisibility of race in past films. Even though this leads us to show a Mozart's Vienna with more racial diversity than today's New York, distorting the historical narrative, just as Clint Eastwood distorted it when he didn't include any black soldiers in the films he shot almost twenty years ago about World War II, it is also not well regarded that there are no women in the plot, even though a war or gangster film might force us to (think of Scorsese's filmography). It is no longer about representing 'reality', but about making a mirror that projects not what we are, but what we would like to be, and that no matter how much it questions our weaknesses as a species, it does so at least without forgetting that we are different, plural and supposedly fair in castings, no matter how much this form of justice now leads us to falsify a past that yes, for art has always been an excuse. As Hitchcock said: “Cinema is four hundred empty seats”, that is to say, more than an art, it is an audience above all else, and it will be this audience that decides whether or not to accept these liberties. And I think that not only does it accept them, but it asks for them, or celebrates that the work also obliges it to take a stance even before buying the ticket and enjoying it. </p>]]></description>
      <dc:creator><![CDATA[Melcior Comes]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/opinion/troy-trans_129_5749642.html]]></guid>
      <pubDate><![CDATA[Wed, 27 May 2026 05:30:42 +0000]]></pubDate>
      <subtitle><![CDATA[]]></subtitle>
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      <title><![CDATA[Michael, more whitewashed]]></title>
      <link><![CDATA[https://en.arabalears.cat/opinion/michael-more-bleached_129_5719224.html]]></link>
      <description><![CDATA[<p>The success of a movie so bad it's a parody like <em>Bohemian Rhapsody</em> has punished us with a trail of musical biopics following the same pattern: glorification of the idol and tiptoeing around the most scandalous aspects of their biographies. Sometimes, they outright ignore them, as if they weren't fundamental facts, even in the idols' artistic work. It's not cinema: it's legacy management.</p>]]></description>
      <dc:creator><![CDATA[Marcos Torío]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/opinion/michael-more-bleached_129_5719224.html]]></guid>
      <pubDate><![CDATA[Sun, 26 Apr 2026 06:33:13 +0000]]></pubDate>
      <subtitle><![CDATA[]]></subtitle>
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      <title><![CDATA["Before you entered the cinema just for the poster"]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/before-you-entered-the-cinema-just-for-the-poster_128_5691232.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/21e823cd-7864-492b-a0b1-72fb3592d75e_16-9-aspect-ratio_default_0.jpg" /></p><p>Toni Bestard (Bunyola, 1973) has about twenty audiovisual projects under his belt, including the series <em>Norats</em> and <em>Fúria</em> and feature films such as <em>Pullman</em>, <em>I Am Your Father</em> and <em>El perfecto desconocido</em>. In 2017 he directed the short documentary <em>El somni efímer</em>, a piece that now closes <a href="https://en.arabalears.cat/culture/palma-celebrates-its-cinematic-heritage-with-the-exhibition-palma-city-of-cinemas_1_5635799.html" target="_blank">the exhibition</a><a href="https://en.arabalears.cat/culture/palma-celebrates-its-cinematic-heritage-with-the-exhibition-palma-city-of-cinemas_1_5635799.html" target="_blank"><em> Palma, ciutat de cines</em></a><a href="https://en.arabalears.cat/culture/palma-celebrates-its-cinematic-heritage-with-the-exhibition-palma-city-of-cinemas_1_5635799.html" target="_blank">, dedicated to the old cinemas of the City</a>, which can be seen at La Misericòrdia. On the occasion of this re-release, he talks with ARA Balears about cinema, memory and new projects.</p>]]></description>
      <dc:creator><![CDATA[Héctor Rubio]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/before-you-entered-the-cinema-just-for-the-poster_128_5691232.html]]></guid>
      <pubDate><![CDATA[Thu, 26 Mar 2026 20:02:32 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/21e823cd-7864-492b-a0b1-72fb3592d75e_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[The filmmaker Toni Bestard.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/21e823cd-7864-492b-a0b1-72fb3592d75e_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[Film director]]></subtitle>
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      <title><![CDATA[The man who painted the giant posters for the cinemas in Palma]]></title>
      <link><![CDATA[https://en.arabalears.cat/culture/rafael-ruiz-the-man-who-painted-the-cinemas-of-palma_1_5689969.html]]></link>
      <description><![CDATA[<p><img src="https://static1.ara.cat/clip/f1c9b091-f341-4c02-9592-60bfbdfb1a40_16-9-aspect-ratio_default_0.jpg" /></p><p>Palma's cinemas haven't always been promoted with digitally printed posters or illuminated screens. For decades, large hand-painted posters announcing the week's new releases adorned the facades of many theaters. Behind many of those monumental images was the same name: Rafael Ruiz. Now, his work is being brought back to mind with <a href="https://www.conselldemallorca.es/esdeveniment/-/asset_publisher/BBpGDQJbEML8/content/palma-ciutat-de-cinemes/13251338" target="_blank" rel="nofollow">the exhibition </a><a href="https://www.conselldemallorca.es/esdeveniment/-/asset_publisher/BBpGDQJbEML8/content/palma-ciutat-de-cinemes/13251338" target="_blank" rel="nofollow"><em>Palma, city of cinemas</em></a>which can be seen at the Misericordia cultural center. Among other historical documents, the exhibition includes original material from the poster artist and the documentary <em>The ephemeral dream</em>Directed by Toni Bestard.</p>]]></description>
      <dc:creator><![CDATA[Héctor Rubio]]></dc:creator>
      <guid isPermaLink="true"><![CDATA[https://en.arabalears.cat/culture/rafael-ruiz-the-man-who-painted-the-cinemas-of-palma_1_5689969.html]]></guid>
      <pubDate><![CDATA[Wed, 25 Mar 2026 20:10:42 +0000]]></pubDate>
      <media:content url="https://static1.ara.cat/clip/f1c9b091-f341-4c02-9592-60bfbdfb1a40_16-9-aspect-ratio_default_0.jpg" type="image/jpeg"/>
      <media:title><![CDATA[Rafael Ruiz, the painter who marked the cinemas of Palma with giant posters.]]></media:title>
      <media:thumbnail url="https://static1.ara.cat/clip/f1c9b091-f341-4c02-9592-60bfbdfb1a40_16-9-aspect-ratio_default_0.jpg"/>
      <subtitle><![CDATA[For decades, poster artist Rafael Ruiz gave a face to film premieres with large, ephemeral murals that are now being recovered in the exhibition 'Palma, city of cinemas', at the Misericordia.]]></subtitle>
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